FREE AUSTIN GIG-BOOKING RESOURCE

BOOK MORE
AUSTIN SHOWS.

A practical venue prospecting tool for bands, solo artists and DJs. Find rooms that fit your sound, get the public booking details, and keep every pitch and follow-up organized.

Free to use · Opens in Google Sheets · No sign-up with Trackside

YOUR BOOKING PIPELINE
100+Austin-area venue prospects
GENRE + DJfilters for a faster shortlist
FIND → PITCH → FOLLOW UPone system from research to booked
BUILT
FOR
LOCAL
ARTISTS

FROM COLD LIST TO WARM LEAD

EVERYTHING BETWEEN
FINDING A VENUE AND FOLLOWING UP.

01

Find the right rooms

Filter Austin venues by genre, show format, market area and whether they book DJ sets.

02

Reach the right people

See websites, locations, public booking emails and phone numbers, plus notes on how each venue books.

03

Run your outreach

Use the built-in CRM, pitch templates and follow-up fields to turn a venue list into a real booking pipeline.

THE ACTUAL TOOL

PREVIEW THE SPREADSHEET.

Browse the live preview below, then open the full version to filter, copy it to your Drive, and start outreach.

Open full spreadsheet ↗
Trackside — Austin Venue Prospecting Tool

If the preview is unavailable in your browser, the full spreadsheet is one click away.

Open the tool ↗

A 15-MINUTE START

DON’T BLAST EVERY VENUE.
BUILD A SHORTLIST.

Better-fit pitches are easier for bookers to say yes to. Start small, personalize the note, and follow up once.

  1. 01

    Choose your fit

    Set your genre, live/DJ format and preferred part of town.

  2. 02

    Pick 10 prospects

    Prioritize venues whose shows, room and booking path match your act.

  3. 03

    Pitch and track

    Send a short, specific pitch and log the date, status and next action.

MADE FOR THE PEOPLE WHO MAKE THE SHOW

BANDS×SOLO ARTISTS×DJs×MANAGERS

YOUR NEXT SHOW STARTS WITH A SHORTLIST

OPEN THE TOOL.
SEND THE PITCH.

Start booking Austin venues

Venue contacts, booking processes and operating status can change. Verify important details with the venue before acting.