Quentin’s TOMGIRL: An Austin Guide to the Nine-Track Debut

Release

Nine songs, released July 24

Release date

July 24, 2026

Release

TOMGIRL Records / Playing In Traffic

Details

9 tracks · 28 minutes

Apple Music lists TOMGIRL as a nine-song rock album released July 24, 2026, with a 28-minute running time. The official release smart link presents the same nine tracks in the same order and connects listeners to the available services.

That compact length is useful context for a first listen: this is a deliberately sequenced full-length, not a loose playlist of the four advance singles that preceded it.

Guide

The complete TOMGIRL sequence

When

Official track list

Where

Quentin

Lineup / admission

From “PEANUT BUTTER CIGARETTES” to “Daddy’s Little Girl”

The official order is: “PEANUT BUTTER CIGARETTES,” “revolve,” “LUCY IN DISGUISE,” “tomgirl (I’m in my head),” “HELLO DENIAL,” “i miss new york,” “RESENTMENT,” “don’t wait on me” and “Daddy’s Little Girl.”

The sequence puts the previously released title track and “HELLO DENIAL” near the center, then closes with a three-song run that turns from resentment toward release and self-definition. That arc is an editorial reading of the order, not a quoted artist explanation.

Guide

Sonic Ranch is part of the record’s geography

When

Recording documented July 2026

Where

Sonic Ranch

Lineup / admission

Tornillo, Texas

KUTX says the album was written during a reflective period that included a songwriting retreat at Sonic Ranch in West Texas. The Austin Chronicle’s July profile adds that Quentin recorded part of TOMGIRL there, connecting the Austin-based project to one of Texas’ best-known residential studio environments.

The published sources do not say the entire album was made at Sonic Ranch, so Trackside is keeping the claim narrow: some recording happened there, and the retreat was part of the album’s development.

Artist

A solo debut built around contradiction

When

Artist profile published July 30, 2026

Where

The Austin Chronicle

Sound

Austin artist · he, she and they pronouns

The Chronicle’s July profile describes TOMGIRL as Quentin’s first album after performing through bands and stage characters, and notes that the artist uses he, she and they pronouns. In that interview, Quentin framed “tomgirl” as a word for identities and spaces that refuse a single box.

That idea helps connect the album’s genre shifts. The same nine songs make room for rock guitars, dance-pop production, quieter writing and R&B-informed phrasing while keeping Quentin’s voice and perspective at the center.

Guide

The latest local review is a useful listening map

When

September 10, 2026

Where

The Austin Chronicle

Lineup / admission

Nine-song album review

The Chronicle’s September 10 review follows the record from the bright opening through the darker turn of “revolve,” the communal energy of “LUCY IN DISGUISE,” the title track’s emotional backslide and the forward motion of “HELLO DENIAL.”

For a three-song introduction, start with “PEANUT BUTTER CIGARETTES,” “HELLO DENIAL” and “don’t wait on me.” Together they show the album’s pop immediacy, anthem-sized center and gentler closing stretch before the final track.

Quick answers

TOMGIRL: quick answers